Die Ölgemälde alles Rosso Fiorentino


Choice ID Image  Painting (From A to Z)       Details 
29856 Angel Musician  Angel Musician   mk67 Panel 15 3/8x18 1/2in Uffizi,Gallery
3624 Angelic Musician  Angelic Musician   Galleria degli Uffizi, Florence
32488 Assumption of the Viorgin  Assumption of the Viorgin   1517 Fresco, 385 x 395 cm
91199 Betrothal of the Virgin  Betrothal of the Virgin   1523(1523) Medium oil on panel Dimensions Height: 325 cm (128 in). Width: 250 cm (98.4 in). cyf
85769 Daughters of Jethro  Daughters of Jethro   between 1523(1523) and 1524(1524) Medium Oil on canvas cyf
32504 Dead Christ with Angels  Dead Christ with Angels   1525-26 Oil on canvas, 133,5 x 104 cm
33291 Deposition  Deposition   mk83 1521
33499 Deposition  Deposition   mk86 1521 Oil on wood 333x195cm Volterra Pinacoteca Comunale
21345 Deposition (mk08)  Deposition (mk08)   1521 Oil on wood, 333x195cm Volterra,Pinacoteca Comunale
3629 Deposition from the Cross  Deposition from the Cross   San Lorenzo, Sansepolcro
3630 Deposition from the Cross  Deposition from the Cross   Pinacoteca Civica, Volterra
88420 Descent from the Cross  Descent from the Cross   1521(1521) Medium Oil on wood Dimensions Height: 375 cm (147.6 in). Width: 196 cm (77.2 in). cjr
92050 Descent from the Cross  Descent from the Cross   1521(1521) Medium oil on panel cyf
58140 Luo rope Habusibao Feir Naduo  Luo rope Habusibao Feir Naduo   mk261 1525, Liverpool, Merseyside County National Museum and Gallery
3627 Macabre Allegory  Macabre Allegory   Galleria degli Uffizi, Florence
29155 Madonna and Child  Madonna and Child   mk65 ca.1517 Oil on canvas transferred from panel
32489 Madonna and Child with Putti  Madonna and Child with Putti   c. 1517 Oil on wood, 111 x 75,5 cm
3625 Madonna and Child with Saints  Madonna and Child with Saints   Galleria degli Uffizi, Florence
32511 Madonna Enthroned and Ten Saints  Madonna Enthroned and Ten Saints   1522 Oil on wood, 350 x 259 cm
83613 Madonna Enthroned and Ten Saints  Madonna Enthroned and Ten Saints   Date 1522(1522) Medium Oil on wood Dimensions Height: 350 cm (137.8 in). Width: 259 cm (102 in). cjr
87472 Madonna Enthroned and Ten Saints  Madonna Enthroned and Ten Saints   1522(1522) Medium Oil on wood cyf
32509 Madonna Enthroned between Two Saints  Madonna Enthroned between Two Saints   1521 Oil on wood, 169 x 133 cm
89681 Madonna Enthroned between Two Saints  Madonna Enthroned between Two Saints   1521(1521) Medium oil on wood cyf
32490 Madonna Enthroned with Four Saints  Madonna Enthroned with Four Saints   1518 Oil on wood, 172 x 141 cm
29854 Madonna Enthroned with SS.John the Baptist,Anthony Abbot,Stephen,and Benedict  Madonna Enthroned with SS.John the Baptist,Anthony Abbot,Stephen,and Benedict   mk67 Panel 67 11/16x55 1/2in Uffizi,Gallery
29855 Madonna Enthrouned with Ten Saints  Madonna Enthrouned with Ten Saints   mk67 Panel 137 13/16x82 11/16in
3631 Madonna in Glory  Madonna in Glory   The Hermitage, St.Petersburg
3621 Marriage of The Virgin  Marriage of The Virgin   San Lorenzo, Florence
88419 Marriage of the Virgin  Marriage of the Virgin   1523(1523) Medium Oil on wood Dimensions Height: 325 cm (128 in). Width: 250 cm (98.4 in). cjr
33257 Marriage of the Virgin Mary  Marriage of the Virgin Mary   mk83 1523
23471 Moses and the Daughters of Jethro (nn03)  Moses and the Daughters of Jethro (nn03)   c 1523 Oil on canvas 160 x 117 cm 63 x 46 in Galleria degli Uffizi Florence
3623 Moses Defending the Daughters of Jethro  Moses Defending the Daughters of Jethro   1523 Galleria degli Uffizi, Florence
28978 Moses Defending the Daughters of Jethro  Moses Defending the Daughters of Jethro   mk65 Oil on canvas 63x46 1/16in Uffizi,Gallery
40328 Moses Defending the Daughters of Jethro  Moses Defending the Daughters of Jethro   mk156 1523 OIl on canvas 160x117cm
82157 Moses defending the Daughters of Jethro.  Moses defending the Daughters of Jethro.   Date between 1523(1523) and 1524(1524) Medium Oil on canvas Dimensions Height: 160 cm (63 in). Width: 117 cm (46.1 in). cjr
51718 Musical Angel  Musical Angel   nn09 c.1522 Tempera on wood 39x47cm
32491 Musician Angel  Musician Angel   c. 1520 Tempera on wood, 47 x 39 cm
3622 Pieta  Pieta   1530-35 Musee du Louvre, Paris
20305 Pieta (mk05)  Pieta (mk05)   Canvas 50 x 64 1/4 ''(127 x 163 cm)Painted for the Connetable Anne de Montmorency.Seized in the Revolution from the collection of Louis-Joseph de Bourbon,at the Chateau d'Ecouen
42997 Portrait of a Kinight  Portrait of a Kinight   mk170 1520-1522 Oil on poplar 96.8x76.2cm
3626 Portrait of a Young Woman  Portrait of a Young Woman   Galleria degli Uffizi, Florence
90339 Putto che suona  Putto che suona   1518(1518) Medium oil on panel Dimensions Height: 172 cm (67.7 in). Width: 141 cm (55.5 in). cyf
32507 Risen Christ  Risen Christ   1528-30 Oil on wood, 348 x 258 cm
91299 Risen Christ  Risen Christ   between 1528(1528) and 1530(1530) Medium oil on panel cyf
3628 The Dead Christ Watched Over by Angels  The Dead Christ Watched Over by Angels   Museum of Fine Arts, Boston

Rosso Fiorentino
Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.



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